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From a Facebook post...
The "Loudness War" refers to the increasing trend in music production to prioritize loudness over dynamic range, often at the expense of sound quality. Dynamic range is the difference between the quietest and loudest parts of a track. Compressing this range allows producers to make music sound louder, but it often results in a loss of depth, clarity, and emotional impact.
The "war" began in the late 20th century when producers realized that louder tracks stood out more on the radio and in music charts. This led to the use of dynamic compression to increase the overall volume of recordings. While some genres, like pop and hip-hop, have embraced this louder, punchier sound, others—particularly rock and classical music—have suffered from a loss of dynamic range. The result is often a flattened, lifeless sound that lacks nuance and excitement.
Interestingly, modern streaming platforms like Spotify and Apple Music now try to normalize the loudness of tracks to provide a consistent listening experience. This means that excessively loud tracks aren’t automatically favored, potentially signaling the end of the Loudness War. Some mastering engineers and artists are pushing for a return to greater dynamic range, advocating for sound quality over sheer volume.
In conclusion, while the Loudness War has pushed the boundaries of how loud music can get, it’s come at the cost of musical dynamics and listener enjoyment. Audiophiles and producers alike are now rethinking this approach, focusing on delivering a more balanced, high-quality sound experience that respects the dynamics of the original recording.
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And to add my bit to this is the only reason we do it is to sound as loud as the other stations as our transmitters just overmodulate without it. But a song that has a quiet spot and then comes on blasting doesn't sound good on the air either as you adjust the volume and expect the audio to stay constant at the volume. Basically using a Schlockwood processor for example is for one thing, to get as "loud" as the other stations as being much quieter just doesn't sound right.
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And to add my bit to this is the only reason we do it is to sound as loud as the other stations as our transmitters just overmodulate without it. But a song that has a quiet spot and then comes on blasting doesn't sound good on the air either as you adjust the volume and expect the audio to stay constant at the volume. Basically using a Schlockwood processor for example is for one thing, to get as "loud" as the other stations as being much quieter just doesn't sound right.
This topic was modified 2 years ago 3 times by Mark
Posted : 25/10/2024 8:04 am
Also...
Everything said by Mark about 'Loudness' is true, and I would add further perspective...
When performed in a concert hall the natural dynamic range of music carries clearly to the audience, but the same music over the radio or home loudspeaker must compete with environmental sound sources from the surrounding world which covers up and blocks quieter passages. Therefore a tad of compression helps to adapt the audio material to the noise floor.
Posted : 25/10/2024 8:27 am
